In this episode of How I Got The Shot, Kyle (@throwing__fitz) and child model Journie (@journiemusellc) show us a colorful and clean lighting setup for commercial photography! Kyle wanted to keep a consistent lighting setup with minimal modifications throughout the shoot to make the images feel cohesive and uniform. As children move around a lot,Continue reading Children’s Commercial Photography
In this episode of How I Got The Shot, Kyle (@throwing_fitz) used Link Units and magnetic Color Gel Domes to photograph Daylan Fisher (@daylan.fisher) from Tribe Talent Management (@tribetalent) to create 3 bold lighting setups. For the first set up, Kyle used a 86” Soft Silver PLM™ Umbrella, a 10″ x 36″ Stripbox with aContinue reading HOW I GOT THE SHOT | Bold Lighting Setups
In this episode of ‘How I Got the Shot,’ our marketing manager Anthony Romano, shares how you can enhance your outdoor portraits using flash.Continue reading HOW I GOT THE SHOT – OUTDOOR PORTRAITS
Our marketing manager Anthony Romano, shares some light painting tips using some easily accessible images and no more than two flash units. Continue reading HOW I GOT THE SHOT – LIGHT PAINTING SIMPLIFIED
our marketing manager Anthony Romano, along with videographer and lighting tech Kimberly Nail, used two foldable stripboxes with grids to create a moody beauty portrait. Continue reading HOW I GOT THE SHOT – FOLDABLE STRIPBOX w/GRID
Our marketing manager, Anthony Romano, creates colorful and dynamic fashion portraits using a beauty dish in a two light setup.Continue reading HOW I GOT THE SHOT – GRIDDED BEAUTY DISH
Photographer Dokk Savage shares two lighting setups for clean studio portraits.Continue reading THE SETUP BEHIND THE SHOT – DOKK SAVAGE
In this episode of ‘How I Got the Shot,’ our marketing manager, Anthony Romano, shows how to create moody and dramatic images using a single flash unit with a gridded reflector.Continue reading HOW I GOT THE SHOT – Honeycomb Grids (7″ Reflector)
In this episode of ‘How I Got the Shot,’ our marketing manager, Anthony Romano, shares his process of creating artificial rain on a faux window in studio to make some moody images for musician Laura Ashley.Continue reading HOW I GOT THE SHOT – CREATING FAUX RAIN ON A WINDOW IN STUDIO
In this episode of ‘How I Got the Shot,’ our marketing manager, Anthony Romano, shares how he stepped outside his comfort zone to create some shallow depth of field portraits using the high speed sync (HSS) feature of the LINK 800WS flash unit and the HUB remote.Continue reading HOW I GOT THE SHOT – SHALLOW DEPTH OF FIELD PORTRAITS USING HSS
BUFF BASICS 