Photographer Lindsey Rickert shares her process on documenting ‘Otherworldly Botanicals.’Continue reading THE SETUP BEHIND THE SHOT – LINDSEY RICKERT
HOW I GOT THE SHOT – FOLDABLE STRIPBOX w/GRID
our marketing manager Anthony Romano, along with videographer and lighting tech Kimberly Nail, used two foldable stripboxes with grids to create a moody beauty portrait. Continue reading HOW I GOT THE SHOT – FOLDABLE STRIPBOX w/GRID
LINK800 FOR PHOTO AND VIDEO
Using the LINK 800Ws Flash Unit for both photo and video use to create content for Nashville musician, Laura Ashley.Continue reading LINK800 FOR PHOTO AND VIDEO
HOW I GOT THE SHOT – GRIDDED BEAUTY DISH
Our marketing manager, Anthony Romano, creates colorful and dynamic fashion portraits using a beauty dish in a two light setup.Continue reading HOW I GOT THE SHOT – GRIDDED BEAUTY DISH
THE SETUP BEHIND THE SHOT – DOKK SAVAGE
Photographer Dokk Savage shares two lighting setups for clean studio portraits.Continue reading THE SETUP BEHIND THE SHOT – DOKK SAVAGE
HOW I GOT THE SHOT – Honeycomb Grids (7″ Reflector)
In this episode of ‘How I Got the Shot,’ our marketing manager, Anthony Romano, shows how to create moody and dramatic images using a single flash unit with a gridded reflector.Continue reading HOW I GOT THE SHOT – Honeycomb Grids (7″ Reflector)
HOW I GOT THE SHOT – One Softbox Three Ways
In this episode of ‘How I Got the Shot,’ our marketing manager, Anthony Romano, shows how he uses a single foldable softbox three ways to create three different results.Continue reading HOW I GOT THE SHOT – One Softbox Three Ways
HOW I GOT THE SHOT – Soft Light VS. Hard Light
In this episode of ‘How I Got the Shot,’ our marketing manager, Anthony Romano, shows the difference between soft light and hard light complete with awkward winks, air quotes, and bad puns.Continue reading HOW I GOT THE SHOT – Soft Light VS. Hard Light
HOW I GOT THE SHOT – CREATING FAUX RAIN ON A WINDOW IN STUDIO
In this episode of ‘How I Got the Shot,’ our marketing manager, Anthony Romano, shares his process of creating artificial rain on a faux window in studio to make some moody images for musician Laura Ashley.Continue reading HOW I GOT THE SHOT – CREATING FAUX RAIN ON A WINDOW IN STUDIO
HOW I GOT THE SHOT – SHALLOW DEPTH OF FIELD PORTRAITS USING HSS
In this episode of ‘How I Got the Shot,’ our marketing manager, Anthony Romano, shares how he stepped outside his comfort zone to create some shallow depth of field portraits using the high speed sync (HSS) feature of the LINK 800WS flash unit and the HUB remote.Continue reading HOW I GOT THE SHOT – SHALLOW DEPTH OF FIELD PORTRAITS USING HSS
