In this episode of How I Got The Shot, Kyle (@throwing_fitz) used Link Units and magnetic Color Gel Domes to photograph Daylan Fisher (@daylan.fisher) from Tribe Talent Management (@tribetalent) to create 3 bold lighting setups. For the first set up, Kyle used a 86” Soft Silver PLM™ Umbrella, a 10″ x 36″ Stripbox with aContinue reading HOW I GOT THE SHOT | Bold Lighting Setups
Jared Schoenemann’s Scaly Friends
Pasadena photographer Jared Schoenemann shares with us his passionate adventures in photographing beers with exceptional color accuracy!Continue reading Jared Schoenemann’s Scaly Friends
HOW I GOT THE SHOT: Dramatic Backlighting
In this episode of How I Got The Shot, Kyle shows us three dramatic backlighting setups for portraits that pack a punch! For this shoot, Kyle (@throwing_fitz) used Link Units and their magnetic Color Gel Domes / Color Correcting Gel Domes to photograph local musician @UniqueTheSinger. For the first set up, he used a 60″Continue reading HOW I GOT THE SHOT: Dramatic Backlighting
Corporate Headshots
In this episode of Buff Basics, we walk you through three setups for evenly lit headshots! Covering simple backgrounds as well as adding reflectors and bounce into your workflow, this video is sure to help you walk away with shadow free headshots! For this shoot, Kyle (@throwing_fitz) used Link Units to photograph local musician @HannahMHowell.Continue reading Corporate Headshots
Hues of Brews: Jared Schoenemann’s Journey of Bubbles, Browns, and Beers
Pasadena photographer Jared Schoenemann shares with us his passionate adventures in photographing beers with exceptional color accuracy!Continue reading Hues of Brews: Jared Schoenemann’s Journey of Bubbles, Browns, and Beers
HOW I GOT THE SHOT – OUTDOOR PORTRAITS
In this episode of ‘How I Got the Shot,’ our marketing manager Anthony Romano, shares how you can enhance your outdoor portraits using flash.Continue reading HOW I GOT THE SHOT – OUTDOOR PORTRAITS
HOW I GOT THE SHOT – LIGHT PAINTING SIMPLIFIED
Our marketing manager Anthony Romano, shares some light painting tips using some easily accessible images and no more than two flash units. Continue reading HOW I GOT THE SHOT – LIGHT PAINTING SIMPLIFIED
THE SETUP BEHIND THE SHOT – CHARMEKIA BIAS
Photographer Charmekia Bias shares her setup on creating a bohemian family session.Continue reading THE SETUP BEHIND THE SHOT – CHARMEKIA BIAS
THE SETUP BEHIND THE SHOT – LINDSEY RICKERT
Photographer Lindsey Rickert shares her process on documenting ‘Otherworldly Botanicals.’Continue reading THE SETUP BEHIND THE SHOT – LINDSEY RICKERT
HOW I GOT THE SHOT – FOLDABLE STRIPBOX w/GRID
our marketing manager Anthony Romano, along with videographer and lighting tech Kimberly Nail, used two foldable stripboxes with grids to create a moody beauty portrait. Continue reading HOW I GOT THE SHOT – FOLDABLE STRIPBOX w/GRID